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The Digital in Architecture I FS22
Augmented Realities - Worldmaking 4
The Digital in Architecture II HS21
Augmented Realities - Worldmaking 3
Robotic 360° Light Painting
Das Digitale in der Architektur I FS21
Das Digitale in der Architektur II HS20
MAS DFAB: Rapid Clay Formations (Brunnen)
Das Digitale in der Architektur I FS20
Seminarweek_FS20
MAS DFAB: Rapid Clay Formations (Rio)
Das Digitale in der Architektur II HS19
Robotic Landscapes III
MAS DFAB: Up Sticks
Seminarwoche HS19
Das Digitale in der Architektur FS19
Seminarwoche FS19
Das Digitale in der Architektur II HS18
Robotic Landscapes II
Rapid Clay Formations
Zero-Waste Geometry
Seminarwoche HS18
ROB|ARCH 2018 Workshop
MAS DFAB: Gradual Assemblies
Das Digitale in der Architektur FS18
Robotic Landscapes I
Malleable Voxels
MAS DFAB: minijammed
Seminarwoche
MAS DFAB: Brick Labyrinth
MAS DFAB: Robotic Pavilion
Force-adaptive Wire Cutting
Spatial Extrusions 2
Spatial Extrusions
Graded Structures 2
Graded Structures
Robotic Wire Cutting Summerschool
Spatial Wire Cutting
Extruded Structures
Remote Material Deposition Installation
Remote Material Deposition
Depth Modulations 2
Design of Robotic Fabricated High Rises 2
Depth Modulations
Complex Timber Structures 2
Complex Timber Structures 1
Robotic Metal Aggregations
Shifted Frames 2
Design of Robotic Fabricated High Rises 1
Shifted Frames 1
Spatial Aggregations 2
Spatial Aggregations 1
Robotic Clay Molding
Die fragile Struktur 2
Die fragile Struktur 1
Prozedurale Landschaften 2
Prozedurale Landschaften 1
Seminar Week
Die Verzahnung 2
Die Verzahnung 1
Das sequentielle Tragwerk 2
Das sequentielle Tragwerk 1
Explicit Bricks
Die programmierte Säule 2
Die programmierte Säule 1
Freilicht Theater
Voxels 2
Voxels 1
Die Wandöffnung 2
Die Wandöffnung 1
Die sequenzielle Wand 2
Die sequenzielle Wand 1
Akustik
Der Schaum
Die fraktale Wand
Bauzaun
Die aufgelöste Wand
Seminar Week
Die perforierte Wand 2
Die perforierte Wand 1
Die programmierte Wand
Das schiefe Loch


Robotic 360° Light Painting Workshop, Department of Design, San Jose State University, California, USA, 2021
The Robotic 360° Light Painting workshop explores the potential of using a robotic arm and 360° camera to create colorful and immersive light paintings. Students had the opportunity to test various light tools with different attachments and create modifiers that influence the light stroke, therefore the image's outcome. Light strokes can range from a single point to a line to diffused light. Computational tools were provided to create light paths, experiment, and adjust the light intensity and color.

The light paintings were created in a darkened room with an Insta360 camera set to long exposure, capturing the movement of the light tool mounted on a UR5 robotic arm. The resulting paintings are recordings of the light's movement in space over time. This can be experienced in the browser or in virtual reality.

The workshop took place at the Department of Design, San Jose State University in collaboration with Prof. Virginia San Fratello and Asst. Prof. Eleanor Pries. The students were invited to develop creative ideas and concepts on the synthesis of light, time, computational design, and robotic fabrication.

Overview of 360 light images
Github Repository

Credits:
Gramazio Kohler Research, ETH Zürich

In Zusammenarbeit mit:Prof. Virginia San Fratello, Asst. Prof. Eleanor Pries
Mitarbeiter:Romana Rust (project lead), Michael Lyrenmann, Gonzalo Casas, Beverly Lytle
Studierenden:Milvia Alvarado, Kayla Brittingham, Paola Castaneda, Sharleen Cruda, Amanda Cullen, Weihong Dong, Vanessa Giraldo Ruiz, Roonie Kenjo, Juan Merlin Lujan, Brenda Munoz, Jennifer Pericolosi, Nathan Shehadeh, Valerie Solarez, Jennifer Stonerock, Alyssa Tet, Giovanna Villanueva, Junming Wang, Juan Zavala-Franco.
Copyright 2022, Gramazio Kohler Research, ETH Zurich, Switzerland
Gramazio Kohler Research
Professur für Architektur und Digitale Fabrikation
ETH Zürich HIB E 43
Stefano-Franscini Platz 1 / CH-8093 Zürich

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